CALUM BOGGS

FILMMAKER

FILMS

I SEE MYSELF

I SEE MYSELF is an intimate portrait of friendship, memory, and the strange distance between who we believe we are and how the people who love us see us.

Ryan and Olivia have been best friends since they were teenagers. Now, separated by distance but never really apart, they spend their days talking about everything and nothing, sex, art, films, love, insecurity, and the small absurdities of being alive. They are each other’s confidants, critics, therapists, and, above all, witnesses.

When Ryan decides to make a film about Olivia, he attempts to capture the person he has known and loved for years. But when she finally sees his version of her, she doesn't recognise herself.

What follows is a quiet conversation about identity and perception, and the uncomfortable question of whether anyone can ever truly know another person.

Close-up of a man and woman with foreheads touching and eyes closed, in an intimate pose, with text overlay of film title and credits.

IT TAKES TWO

When Violet invites her partner Laurie over, determined to confront the growing distance between them. What begins as a thoughtful, honest conversation soon unravels into a tense and emotional exchange, as long-suppressed feelings and unspoken truths rise to the surface. As the night unfolds, Violet and Laurie are forced to face the reality of their relationship and the painful question of is love ever enough.

OUT NOW

PEOPLE

LIKE US

WATCH NOW

“PEOPLE LIKE US”, follows William, a man born and raised in Northern Ireland, as he reflects on his life, he looks back on the culture of his home and how the people he spent majority of his time with helped mold him into the man he is today.

PARIAH

OUT NOW
Silhouette of a woman lying on the floor against a red background, with her arms raised and her head turned to the side.

PALETTE

OUT NOW
A man and a woman sitting in bed with a white blanket, each engaged in different activities; the man is reading a book, the woman is using a laptop.

CAN POLITICS AFFECT LOVE?

Two people in a dimly lit room, one handling a camera on a stabilizer, with a window behind them and another person sitting at the table with a hat, smiling.
Two people, a man with glasses and a woman, working with a camera in a room with big windows and a view of a building outside.
A woman filming with a camera while a man sits beside her on a couch, holding a remote control, in a living room with framed pictures and plants on the wall.
A woman is filming a man who is placing magnets on a refrigerator in a kitchen.
A man sitting indoors next to a window and a lamp, watching a television screen.
Silhouette of a person holding a boom microphone and a person sitting at a camera setup in a room with windows, curtains, and a desk with a lamp.
Black-and-white contact sheet featuring four photos of a young man with blonde hair, holding a camera in different poses, including one with closed eyes and a contemplative expression.
Black-and-white collage of a young man with light hair and glasses holding signs with messages about peace, justice, and listening, with various close-up and full-body shots.
A young man with blond hair and glasses holding a photo frame, with other photos of him in different poses around him.
A young man with glasses and light-colored hair holds a sign that reads, 'Stop the Violence listen to the People.' He appears serious and is wearing a button-up shirt.
A collage of black and white photos featuring a young man with light-colored hair. In one photo, he faces away from the camera, showing his back and shoulders. In other images, he holds signs with handwritten words: 'Portrait' and 'Peace.' In one pho
Two women standing on a rooftop, one adjusting her hair and the other speaking, while a person with light-colored hair and a jacket is observing and recording them with a camera on a tripod under an cloudy sky.

I create films to reflect on life and the experience that is living, each film is a reminder of where I was in my life when I made it. A visual journal

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A man in a white shirt and glasses standing at a door, looking confused or suspicious, while a woman with long dark hair facing away from the camera is seated nearby.